I made a Christmas dress! (no santas or snowmen were harmed)

I rarely make myself anything for Christmas but this year I just fancied a little dress that would allow me to eat an extra mince pie.

I know, I know, I have made the same pattern again.  I just can’t help myself.  I have chosen to make The Raglan Sleeve Dress from Japanese pattern Book “Stylish Party Dresses” by Yoshiko Tsukiori.

These are my versions of this pattern so far, a top hack, a long sleeve top hack and a black crepe dress. I love it, it’s an easy one to make and sometimes easy is just what I need.  It’s also extremely useful when I am very time poor, which of course, I always am at this time of year.

I spotted this fantastic fabric on Pitt Trading‘s Instagram page.  It was love at first sight.  The fabric is just amazing, it had to be mine.  It’s rare that I make impulse fabric purchases but this is one of those rare occasions.  I am sure you can see why I just went for it.

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The description was polyester, large digital print, 150cm wide.  I had visions of a floaty rayon type fabric but it wasn’t that at all.  It was almost like a lightweight scuba.  Not unhappy with this turn of events I have to say.  It has body and I like a bit of body in my fabrics.   It also had a bit of stretch so I thought I would treat it as a stretch fabric.

I decided to use my walking foot throughout this process, but use a standard needle and not a ballpoint.  I also decided to finish the seams with a 3 strand overlocked edge to help the seams sit flatter.

The dress itself is an easy one, made before many times so the only things to contend with was managing the fabric.  The walking foot and the overlocking worked a treat but pressing was an issue.  The fabric has bounce.  I remembered an excellent video blog post by Did You Make That? about such issues, using a clapper and some simple ironing techniques so I followed her lead.

I don’t own a clapper and I am sure many sewers don’t so I had to find an alternative.  What I did end up using was our sleeve pressing ham.  It’s long and heavy (perhaps not as flat as it could be) but it did help reduce the fabric’s bounce.

I was super careful when pressing, using a piece of fabric as a pressing cloth just incase I scorched the fabric.  I have burnt fabric so many times, often at the end of a make, like here.  It often results in tears and a lot of swearing.  You would think that I had learnt my lesson but it seems not. I slipped, missed the pressing cloth and burnt the shoulder of the dress in it’s final press.  If it had been on a black piece of the pattern I think I could have lived with it but no it was on the peach panel, right on the shoulder for all to see.  There was no option but to remove the sleeve and recut it.

Sometimes these things prove to be happy accidents.  I wasn’t entirely happy with the neckline.  It is faced and with this slightly thicker and bouncer fabric it just wasn’t sitting as flat as I like.

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I had under stitched the neckline but when I clipped the curve (as per instructions) it started to look quite jagged and bulky.  You could also see the clipping after I pressed and topstitched.

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Pre-burn shot: I burnt the peach piece on the right shoulder.

So when removing the right sleeve, I removed the top stitching, under stitching and facing from the neckline.  Due to the clipping I also had to cut the neckline back a little, which was fine. I decided to use some bias binding to finish the neckline.  I am much happier with the result.

I decided against any kind of pattern matching but did want the neckline to be predominately black so to hide the top stitching.  I was also super anal with the hemming and changed the thread from black to peach and back again when finishing.  Has anyone done that before or is it just me?

Lessons were learnt with this make. I have since made a pressing cloth with a tag which now hangs next to my iron as a constant reminder.  I think the other lesson was to sew more instinctively.  I thought to myself that binding would be better than facing on the neckline but dismissed it.  Go with your instincts.

So here it is.  I love it and have already worn it a couple of times.

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New sleeve in place…
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Notice the machine hemming – it’s invisible as I changed the thread
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Love the green panel around the neckline here
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Much happier with the neckline (even though I don’t look it!)

I am really loving this fabric, I also have enough left to make something else.  I am thinking a little self drafted skirt??  I just can’t leave this fabric in my stash!

 

A synthetic dream!

Last week I was in the UK.  A flying visit for my friend’s wedding.  An amazing wedding with lots of old school friends, some of which I haven’t seen since I was yawning my way through A-level geography.

I always like to make myself a little something for my trips (apart from the obvious wedding attire that is!) so I decided on a top. I wanted something I could wear with jeans and that wouldn’t crease.  I had the perfect fabric!

I had recently stumbled into Tessuti and raided the remnants table. I came out with a marvellous 1m piece of monochrome nylon mesh.  Lets just say creasing would not be an issue.  It’s a synthetic dream!

Surprisingly enough I reached for my Japanese pattern book collection, choosing the Stylish Party Dresses book.

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I decided to hack this dress pattern, the raglan sleeve dress, into a top. Of course, I wanted to add a little interest and make the shoulder panels again.  I know, I know, I do this all the time, but I just love it!!

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Black crepe dress from an earlier blog post – more details here

I made a minor tweak to the pattern by lowering the neckline a little, this meant I could dispense with the closure at the back. I cropped the top quite short.  It’s shorter than I would normally wear but I think it works well with this style.

The shoulder panels are made from the reverse of the fabric.

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It was a quick sew and a surprisingly easy fabric to work with.  It does have lots of ‘bounce’ so pressing wasn’t all that effective and I didn’t persevere as I was scared it might melt.

I did spend a little extra time in the finishing.  I hand stitched the binding on the inside so there are no visible hems, cuffs or neckline stitching. It worked a treat.

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I have worn it A LOT, it was perfect for the UK climate too as we had surprisingly good weather. It also took me back to the joys of 80’s synthetic clothing.  Thank god there wasn’t a naked flame in sight!